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Art Primary Entries: 3
This section includes topics relating to Islamic art
such as calligraphy and the history of its development. Grabar, Oleg (1929- ) 429. Shaklgr-yi Hunar-i Islm [The
Formation of Islamic Art], trans. Wadat-Dnishmand,
Mihrdd, Tehran: Pazhhishgh-i
`Ulm-i Insn
wa Mulibt-i Farhang, 1st Edition / 2000 copies, 12 +264+ [78]
pp., Farsi, 24x17 cm (pbk),
Pictures: 264-342, Bibliography: 251-264. Supplemented
by The
chronology of the early years of Islam, pp249-250. ISBN:
964-426-115-1 LC:
N6260/G4SH8 Dewey:
709/17671 ID:
B40195 Title of
the original: The
Formation of Islamic Art The book puts forward the thesis that the Islamic conquests were not
accompanied by any destruction and that Muslims used them as occasions for the
assimilation of the arts of the subject people. The topics include: the actual
examples of Islamic architecture, mosques, secular art (palace,
city), and the decorative varieties in early Islam (plaster work, masonary, tile work). 430. Hunar-i Kha wa Zann-i Khush-Nivs dar Tamaddun-i Islm
[Calligraphy and Women Calligraphers in Islam], ed. `Aqq-Bakhshyish,
`Udhr (1968- ), Qum: Bakhshyish, 1st Edition / 3000 copies, 206
pp., Farsi, 24x17 cm (pbk),
Bibliography: In the footnotes, Bibliography: 205-206. Introduction: N. By the Pen and
Whatever They Record, `Aqq-Bakhshyish,
`Abd al-Ram,
pp15-31. ISBN:
964-7090-04-8 LC:
NK3633/A2A7 Dewey:
745/619 ID:
B30315 Pk-Sirisht, Murta (1963- ) 431. Khushnivs dar Khidmat-i Kitbat-i
Qurn-i Majd
[Calligraphy in the Service of Quranic Transcription], ed. Mu`winat-i
Farhang-yi Wizrat-i
Farhang wa Irshd-i Islm,
Tehran: Qadyn, 1st Edition / 3300
copies, 448 pp., Farsi, 19x13 cm (pbk), Bibliography: In the footnotes, Documents: On
different pages, Bibliography: 446-448. ISBN:
964-417-388-1 LC:
NK3636/5/A2P2 ID:
B40145 It is devoted to the transcription and illumination of the
Quran, and the scribes and calligraphers
from the 7th-20th centuries. The book is mainly confined to |